Twelve years after his professional debut, 3-60 returns with Don’t Forget the Dash, Vol. 2 — a focused, evolved reflection on ambition, pain, and perseverance. Where the first album marked a breakthrough, this one represents arrival, growth, and mastery.

Every record moves with intention: “Seem Like” sets the tone with self-awareness, “Cuffin” and “Probably Sure” mix emotion with edge, and “Streets Need Me” stands tall as a motivational anthem for those still grinding. Storytelling runs deep throughout the project — especially in “Show Me Love (Hate Theyself Pt. 2),” a direct continuation of the narrative first explored in “Hate Theyself” from Volume 1.

Produced, mixed, and mastered by Dexx Rashad and executive-produced by Edward Mallory III, this Been Had Money LLC release captures both the hunger that started it all and the polish earned through experience.

Don’t Forget the Dash, Vol. 2 isn’t just a sequel — it’s the soundtrack to staying in motion when others stop. A reminder that between every start and finish line lies the grind that defines who you really are.

🎧 Stream the album → https://3-60music.com/dftd2

"We Get It In Motion, Vol. 2" marks a major evolution in 3-60’s catalog — the sixth studio project from the Pittsburgh-raised, L.A.-based artist, and the official sequel to his underground mixtape that started it all. This time around, the motion is different. The risks are fewer, the stakes are higher, and the lifestyle is earned.

Known for his ability to fuse raw storytelling with luxury-driven energy, 3-60 pushes his sound forward with some of his most diverse and polished work to date. Featuring standout contributions from Taylor Hill and production from Michael D Foster, Charles Anderson (Social House), Dexx Rashad, and William Howells, this album moves seamlessly between flex anthems and introspective moments — all while staying sharp, cinematic, and deeply personal.

Where Vol. 1 was about survival, Vol. 2 is about thriving. It’s a celebration of growth, elevation, and knowing your value. The beats hit harder, the flows are tighter, and the vision is clearer. Every bar feels intentional, every song built to last.

"We Get It In Motion, Vol. 2" is more than a sequel — it’s a statement. This is 3-60 proving he’s not just in the game, he’s changing how it moves.

"Homewood To Beverly" is 3-60’s fifth studio album — a deeply personal, autobiographical body of work that traces the artist’s journey from the mean streets of Homewood, Pittsburgh to the bright lights of Beverly Hills. Written by Ed Mallory III and performed by his alter ego 3-60, the album reflects on the highs, the lows, and the inner strength it took to leave the nest, survive the unknown, and evolve through it all.

After leaving Pittsburgh in 2008, 3-60 found himself in Orlando, Florida — a space that tested him, but also showed him what survival and growth outside the city looked like. By 2016, he touched down in L.A., fully focused and ready to elevate. This album captures every layer of that transition — from the hunger and pressure of the streets to the clarity and creativity that came with new environments and new energy.

With standout features from Zkeez, Abso, and Scootie, and full production handled by longtime collaborator Dexx Rashad, "Homewood To Beverly" is a sonically rich, emotionally layered project that shows just how far 3-60 has come — not just as an artist, but as a man.

This isn’t just about changing cities. It’s about shifting mindset. From survival… to success.

"Go Tell Ya Friends (Lost Tapes)" is 3-60’s fourth studio album—an 11-track time capsule of unfiltered bars, smooth vibes, and raw storytelling. Originally stashed in the vault, these records capture the hunger, growth, and grit of a pivotal era. From introspective moments to flex-heavy flows, this lost collection proves that real never expires. Press play—and tell ya friends.

"Been Had Money" (released May 8, 2017) marks a turning point in 3-60’s evolution — not just a breakout, but a bold declaration of arrival. Across 12 tracks of unapologetic hustle, sharp lyricism, and cinematic production from Mr. Franks, Roderigo Banks, Nobel, and Dexx, this album doesn’t chase validation — it speaks from a place of already-earned respect.

From the heavy flex of "Full Bag" to the calculated pressure of "Drop a Dime" and the cold-read confidence of "I Can Tell", Been Had Money is soaked in street-earned wisdom and the kind of energy that only comes from living the life, not just rapping about it. It's not about flashing—it’s about facts.

This project isn’t just a statement. It’s a checkpoint. A reminder that 3-60’s foundation is built on years of quiet moves, loud results, and never asking for credit — because the work speaks loud enough. For anyone who’s ever built from the ground up, Been Had Money feels like the soundtrack to finally getting yours.

"Everyday Summer" is the second official studio album from 3-60, released on February 5, 2015. Building on the momentum of Don’t Forget the Dash, this 13-track project captures the vibe of elevation — cruising through life’s highs, chasing heat year-round, and turning ordinary moments into unforgettable memories.

From the laid-back bounce of "Every Other Hour" to the ride-out anthem "Top Down", and the intimate honesty of "Me and You", Everyday Summer blends sunlit energy with real-life reflection. It's a soundtrack for dreamers, grinders, and anyone chasing warmth in a cold world.

This album represents a shift — not just in sound, but in mindset. It's 3-60 stepping into the light, no longer just surviving the journey but thriving in it. The summer isn’t just a season here — it’s a state of mind. And for 3-60, Everyday Summer is proof that when you stay consistent, the heat follows you.

This isn’t about a moment in time — it’s about making every moment feel timeless.

"Don’t Forget the Dash" is the debut professional studio album from 3-60, officially released on May 24, 2013. After dropping six underground mixtapes — each one like a free album in its own right — this project marked a new chapter in 3-60’s journey: a moment of leveling up, refining the craft, and showing the world what happens when raw talent meets focused execution.

The title speaks volumes. "Don’t Forget the Dash" is a reminder that there’s more to the name, more to the story, and more to the journey. It’s about honoring the grind between where you start and where you’re headed — the dash between the dates, the work between the wins.

From gritty street reflections to self-made ambition and lyrical elevation, this album set the tone for everything that would follow. It’s the foundation of 3-60’s professional catalog, and it holds the hunger, authenticity, and growth of an artist who knew he was built for more.

This wasn’t just an introduction — it was a statement: The dash matters. And 3-60's motion has never stopped since.